Sarai has lived and breathed nightmares since she was six years old.
She believed she knew every horror, and was beyond surprise.
She was wrong.
First published: October 2018
This book is a sequel – read my review of the first book here.
It’s time to celebrate because today marks Books Baking and Blogging’s fifth anniversary! That’s right, I’ve been keeping this thing going for five whole years now. I’m as surprised as you are. A lot has happened in those five years since I posted my very first post, but this blog has been a constant throughout it all and I wouldn’t have it any other way.
So, let’s look back over the years, shall we? Keep reading until the end to find out how to enter the giveaway!
I love a good film adaptation, but like a lot of readers, I tend to want to read the book first. That usually makes me even more excited to watch the film, although I am also more likely to be a bit more critical (but that’s fine; I like being critical). When it’s the other way around, however, meaning when I see the film first, I’m usually not very inclined to pick up the book afterward. That happened to me with Everything, Everything, for example.
Over the past couple of months, I read a couple of books mainly because I was excited to see the films: The Guernsey Literary and Potato Peel Pie Society by Marie Ann Shaffer and Annie Burrows (wow, that’s a mouthful), Room by Emma Donoghue and To All the Boys I’ve Loved Before by Jenny Han
I thought it’d be fun to write a post comparing these books and films because I had very different reactions to all of them. It ranged from loving the book way more than the film, preferring the film over the book and thinking both were great in their own right.
So, let’s get to it!
It’s been ages since I last did a Top Ten Tuesday – it was still hosted by The Broke and the Bookish back then, so that means this is my first TTT of the year. And it’s September. Whoops. Last week, I was reminded of this lovely prompt again, though, so I figured I’d participate again this week! It’s now hosted by That Artsy Reader Girl and the prompts are still just as fun and creative!
I think the reason why I stopped participating is that I sometimes find it difficult to come up with 10 books that actually really fit the prompt of the week. I don’t read as many books as some other book bloggers, so I sometimes felt like I was just repeating the same books over and over again. But I’m going to step past that insecurity and just get back on the horse, as they say, because Top Ten Tuesday is a ton of fun, and that’s what it’s all about!
So, let’s get straight to it! Here’s my top ten books by my favourite authors that I still haven’t read…
I was planning on writing a book review today. I haven’t written one in ages and in between all of those recipes I’ve posted recently, I figured it was high time for another review. So, I looked through the books on my “Read” shelf on Goodreads to find the perfect book to write a review about. But… I couldn’t really find one. I’ve had plenty of interesting reads recently, so that’s not the issue. I also haven’t been in a reading slump, so that can’t be it either. What is it that made me go “meh” about writing reviews on these books?
While debating literature’s greatest heroines with her best friend, thirtysomething playwright Samantha Ellis has a revelation—her whole life, she’s been trying to be Cathy Earnshaw of Wuthering Heights when she should have been trying to be Jane Eyre.
With this discovery, she embarks on a retrospective look at the literary ladies—the characters and the writers—whom she has loved since childhood. From early obsessions with the March sisters to her later idolization of Sylvia Plath, Ellis evaluates how her heroines stack up today. And, just as she excavates the stories of her favorite characters, Ellis also shares a frank, often humorous account of her own life growing up in a tight-knit Iraqi Jewish community in London. Here a life-long reader explores how heroines shape all our lives.
Simon vs. the Homo Sapiens Agenda is one of those books that everybody seems to love. Some people adore it with a passion; others simply like it, but I haven’t seen anyone say “it’s crap, I don’t get why everbody loves this so much”, which is what does happen with most hyped books. I think that’s because even if you didn’t fully connect with the story, you can still see how sweet and warm it was and how it could mean a lot to other people. This book is kind of like a puppy, I guess. It’s adorable and you just really don’t want to see anything bad happening to it. Is that a good analogy? We’ll just go with it.
I read the book in the summer of 2017 and I really liked it (you can read my full review here). I wasn’t completely blown away by it and there were some aspects that I didn’t think were great per se, but overall I thought Simon was absolutely lovely. It warmed my heart and gave me fuzzy feelings. Kind of like a puppy
(see, the analogy is perfect).
So, when it was announced that this book was going to be made into a film, I was overjoyed. Film adaptations have a long running history of being not that great, but I actually had high hopes for Love, Simon (I guess Simon vs. the Homo Sapiens Agenda was too long a title). I got more and more excited when other bloggers came back super enthusiastic from early screenings and articles started to pop up about Love, Simon being a lovely but also groundbreaking film. Last week, I got to see the film myself and I wasn’t disappointed in the slightest.
In fact, I liked the film more than I liked the book.
*gasp* I know! A bookworm who likes the film better than the book?! Hell must have frozen over! This is certainly a first for me (I think)! So, let me explain.
In a dusty library, in the quietest corner of a house in a Tokyo suburb, live the Little People: Fern and Balbo, Robin and Iris. Just a few inches high, sleeping cigarette boxes and crafting shoes from old book jackets, they need only one thing from their Humans–a nightly glass of milk, served in a sparkling blue glass goblet, by a trusted young member of the Human family.
But when the Second World War come to Japan, both Humans and their beloved Little People face a world they could never before have imagined. It will take great love, bravery, and a rather loyal pigeon, to bring their unique families back together once more…
First published: 1959 (in Japanese); this translation/edition is from 2018 by Pushkin Press
**I received a copy of the book from the publisher in exchange for an honest review**
One of the many things I love about being a part of the online reading community is how you get a peek into other people’s reading lives. Stripped down to its bare bones, reading is a pretty solitary hobby; you get yourself a book, you sit down (or lie down, or stand – whatever floats your boat) and you read that book. It’s just you and the characters, the story and the world of the book. It doesn’t feel lonely at all (this is something most readers will agree upon, I think), but it is something you do alone, most of the time.
And then you go online and talk about that book you’ve read with other people all over the world who also love to read. I love it! I’m very lucky to also have friends who love to read and love to talk about reading, but I’ve seen quite a lot of people within the community say how happy they are to finally be able to talk about books with other people who understand. I just think that’s wonderful.
Following the death of his mother, Max Friedman comes to believe that he is sharing his brain with a tumour. As he becomes focused on controlling the malignant tenant, he starts to lose touch with his friends and family, and with reality itself – so Max’s father sends him off to the artsy Baldwin School to regain his footing.
Soon, Max has joined a group of theatre misfits in a steam-punk production of Hamlet. He befriends Fish, a girl with pink hair and a troubled past, and The Monk, a boy who refuses to let go of the things he loves. Max starts to feel happy, and the ghosts of his past seem to be gone for ever.
But the tumour is always lurking in the wings – until one night it knocks him down, and Max is forced to face the truth.
Published by Pushkin Press in 2018
**I received a copy from the publisher in exchange for an honest review**